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Backstory

I suppose, right from the start, I was always a writer. They made me do it at school - reams and reams of the stuff - which kind of put me off, although it was at school I started to write, mostly teen angst poetry. But that was for me, not for them.

Being completely obsessed with painting, drawing and design, I ended up going to Harrow School of Art to study Information Graphics. During the three years I was there I also carried on writing poetry and it was in my final year I met Paul Peter Piech, an American graphic artist and illustrator who turned up one day as one of our visiting tutors. He discovered my writing and he liked it; I recognise now that what I was doing was connected in a way that, as I get older, I realise isn't as easy to do any more. I think maybe that's what attracted him to it.

Paul ran the Taurus Press, his own small imprint, from out of the garage of his house in Bushey, Hertfordshire, and, while I was still at college, he published two limited edition collections of my poems, illustrated with his own abstract linocuts. It was a long time before I figured out how lucky I'd been.
 

Even though I was now a published writer I didn't take the hint and went straight to work as a designer, spending nearly ten years in partnership with Keith Faulkner producing children's illustrated non-fiction, first as the Faulkner/Marks Partnership and latterly as Theorem Publishing. It was fun, for a while, but there are only so many kid's encyclopedias and dinosaur books you can do before you start having to look outside the box for some inspiration.

Outside my particular box I discovered there was a whole new world of children's fiction and I spent a few years art directing those sort of books. Which was when a hand-written manuscript landed on my desk one day. It was by a hugely successful adult author who had made the classic mistake of thinking anyone could write a kids' book. And then gone on to prove, quite conclusively, that they can't.

Even though this book, if it had been written by anyone else, would never have seen the light of day, this one duly got published. Which just goes to show that all too often celebrity wins hands down over having any real ability. I walked away from the project muttering loud enough to be heard that I reckoned I could do better, and then felt honour-bound to have a go.

The end result was my first novel, called The Finding of Stoby Binder, which was published by Hodder and Stoughton in 1982; It had a colour cover and black and white interior illustrations by John Bolton (see Links), whom I'd met a few years earlier and had commissioned to do a series of amazing fantasy illustrations for Let's Play Chess, published by Octopus Children's Books.

Stoby Binder failed to create much interest and it was another 12 years before I eventually started to write full time, although even now it's not all books. Along with them I'm also the Children's Editor for the publishing trade paper Publishing News and I work for various advertising and marketing agencies as a copywriter. And, when I get the chance, I still like to do some drawing.

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Graham Marks